• THE MIGHTY MODULAR:

• EVERYTHING IN MODULATION:

• SEQUENTIALLY SPEAKING . . . 24 tracks?:

PART 1: WHAT'S IN A SOUND?

PART 2: THE PHYSICS OF PERCUSSION

PART 3: SIGNALS, MODIFIERS & CONTROLLERS

PART 4: OF FILTERS & PHASE RELATIONSHIPS

PART 5: FURTHER WITH FILTERS

PART 6: OF RESPONSES AND RESONANCE

PART 7: ENVELOPES, GATES & TRIGGERS

PART 8: MORE ABOUT ENVELOPES

PART 9: AN INTRODUCTION TO VCAS

PART 10: MODULATION

PART 11: AMPLITUDE MODULATION

PART 12: AN INTRODUCTION TO FREQUENCY MODULATION

PART 13: MORE ON FREQUENCY MODULATION

PART 14: AN INTRODUCTION TO ADDITIVE SYNTHESIS

PART 15: AN INTRODUCTION TO ESPS AND VOCODERS

PART 16: FROM SAMPLE AND HOLD TO SAMPLE-RATE CONVERTERS (1)

PART 17: FROM SAMPLE AND HOLD TO SAMPLE-RATE CONVERTERS (2)

PART 18: PRIORITIES & TRIGGERS

PART 19: DUOPHONY

PART 20: INTRODUCING POLYPHONY

PART 21: FROM POLYPHONY TO DIGITAL SYNTHS

PART 22: FROM SPRINGS, PLATES & BUCKETS TO PHYSICAL MODELLING

PART 23: FORMANT SYNTHESIS

PART 29: THE THEORETICAL ACOUSTIC GUITAR PATCH